Thursday, 23 July 2009
Compare + Contrast Review - [.REC]/Quarantine
First a clarification, I watched REC a while ago and thus my memory of it may be a bit hazy, apologies if details are fuzzy. I am, however, writing this immediately after watching Quarantine so that is fresh in my mind. I felt that a comparison review might be more interesting than a single one having watched both interpretations.
The first thing that strikes me at the beginning is how unbelievably similar the two movies are, I mean seriously carbon copy stuff. The problem at both movies' exposition is that both mistake slowness and boredom for set-up or establishing atmosphere or character, in both cases it fails and doesn't seem to fulfill this purpose, merely annoyingly delaying any form of action (which is where we really get to know people). The Spanish original is more effective however for the simple fact that it had the benefit of being new and doesn't do the annoying Americanisation things like unnecessary swearing or, even worse, setting up characters as unlikable who are to be killed later. It really lessens the dramatic impact and seems like an insult to its audience's perceived sensibilities.
As things go on I was generally prepared to shut Quarantine off (I'm glad I didn't though), since I severely felt like I'd seen this before. The first half an hour or so is the epitome of an exercise in irrelevance and it is frankly insulting that anyone other than the original film's writers gets a credit. Worse the camera felt a need to be a lot more intrusive and precise here, taking away some of the spookiness and really irritating me during the encounter with "Mrs Espinosa". Its much less frightening when we see her coherent and then witness the exact moment she snaps into the aggressive behaviour. In it's favour though, the U.S version is a little more claustrophobic in these scenes, my memory of the original is of much longer corridors and spaces presented by camera/cinematographer et al giving the impression of more room to escape from the newly infected, which is far less tense or frightening (if necessary at first).
Throughout the film there is another thing that Quarantine does better. Maybe it's because I speak the language or have more social and cultural connection but characters feel far more fleshed out, the trapping being much more affecting and the tension and arguments being much more immediate and visceral than they seemed in REC.
When we get to the development of the plot and the spread of the infection Quarantine, perhaps unsurprisingly, comes across a lot more "Resident Evil-esque" despite being slower to identify the horror nature of the problem (it genuinely seems to be believed to be rabies for a long time, the people in REC seemed much more aware of zombie tropes making for a much more unusually conflicted scene in Quarantine wherever the aggressors are killed). Sometimes this comes across badly (the dog in the elevator is ridiculously OTT, as are a few moments), but on the whole it seems, to me, much more brutal and action packed than REC, holding my attention much better throughout these scenes (a 4 star on their own giving the remake something of an edge).
The final scenes of "final girl" Angela and her cameraman at both movies close are, however, where things shift. In REC these are the scenes which truly gain the film its memorable status as an intriguing supernatural element is introduced (unsurprisingly omitted from the American movie) and explanations are attempted (though again much more so in REC, Quarantine just seems to have rushed to a climax then lost steam a little). The images in these scenes of REC are truly haunting, the stuff of nightmares. I can't explain it but something in the way that the final "demon-esque" creature is shown truly chilled me and scared me on some primordial level. Quarantine was nerve racking and still scary (perhaps owing a little more to the work done by the "regular" zombies here, but massively disappointing when "Ally McBeal baby" and "Cryptkeeper" appeared (sarcasm intended), the acting and direction still have you on edge but these supposed monsters are not at all effective or affecting, their best moment being off screen at the movies (again perfectly replicated) climax.
As a remake thus Quarantine is good but a bit pointless. I would still recommend it to anyone afraid of subtitles, who hadn't seen the original or who was a fan of horror action but craves a bit more plot. The really frustrating thing from my perspective though is that the best experience would be gained by splicing the better elements from both movies together (either or neither intro, then US, then Spanish). Individually they are great and unusually brave, unique movies but ultimately each flawed in their own way.
[*REC]: *** 3/5
Quarantine: *** 3/5
Both definitely worth seeing though and, for the record, both would get 3.5 if I agreed in half marks but unfortunately fall short of 4 star status except in their individual best moments.
News/Previews - A Nightmare On Elm Street (2010)
One of the things that's struck me most whilst contributing to this site is the categories of films which suits both mine and Mr B's individual tastes. I'd say this bit of news is very in the realm of my personal genre subset: the slasher remake. Capone and others at aintitcool.com posted a few interesting tidbits over the last few days about the Platinum Dunes remake of the classic A Nightmare On Elm Street, due to star Jackie Earle Haley (Watchmen's Rorschach) as the new incarnation of famed horror icon Freddy Krueger, including the first (very vague, shadowy) picture of the new Freddy and the teaser poster, both of which follow below...
At first glimpse of these images my initial thought was the same as upon hearing of the movie, why bother? Especially since this looks near identical to the movie already out there, then Capone posted some details, after visiting the set, which seemed to answer this criticism, highlights of which are below...
"Regarding those shadowed photos that have come out in the last day or so, anyone who thinks Haley's version of Krueger is a carbon copy of Robert Englund's is in for a bucket of ice-cold water dumped on your head. Yes, the sweater and fedora (made by the same company that made all the hats for PUBLIC ENEMIES, by the way) are pretty much how you remember them, but when we got our first glimpse of Haley in full Freddy makeup, there were two very shocking things that hit me: How realistic the makeup looked (without giving away too much, I'll ask you to remember exactly how Freddy got his unique "look") and the subtle differences on the original look this new version offers. Is it a better look? Will people take the new face of Freddy to heart? I truly have no idea."
"The other aspect to the film that most people are wondering about is, obviously, any changes or additions to the plot. Since this IS Platinum Dunes, of course there is a Freddy backstory, but I'm actually on board with this one. Freddy is not some silent, faceless monster (okay, he's a little faceless). At one point he was a man, and he has an interesting story that I think will work as part of this film. One of the sets we glimpsed was Krueger's workshop, complete with a TV/VCR set up and loads of blank video cassettes (my mind wondering what kind of sick shit this guy watched, and then I spotted a copy of ORCA amid his collection--ew!). In addition to Freddy's background, we also get a little history concerning his child victims and their parents, which, again, I'm okay with, especially since past and the present are tied together in this film."
Do check out the whole piece here...
http://www.aintitcool.com/node/41777
I'm not entirely sure what to make of this. Freddy looking like Simon Weston? Or The Dark Knght's Two-Face? The character stuff is oddly more reminiscent of the Halloween remake (Mr B won't thank me for bringing that up AGAIN but it's a valid point) than Platinum Dunes' output. I did, however, like and own Platinum Dunes' Texas Chain Saw Massacre redux and plan to buy their Friday The 13th remake next month, cash permitting, to review here. It does make me feel really old though that all these films are being reinvented when I can still remember the last entries in the franchise like they were yesterday. Sigh. File under definitely both apprehensive and intrigued...
At first glimpse of these images my initial thought was the same as upon hearing of the movie, why bother? Especially since this looks near identical to the movie already out there, then Capone posted some details, after visiting the set, which seemed to answer this criticism, highlights of which are below...
"Regarding those shadowed photos that have come out in the last day or so, anyone who thinks Haley's version of Krueger is a carbon copy of Robert Englund's is in for a bucket of ice-cold water dumped on your head. Yes, the sweater and fedora (made by the same company that made all the hats for PUBLIC ENEMIES, by the way) are pretty much how you remember them, but when we got our first glimpse of Haley in full Freddy makeup, there were two very shocking things that hit me: How realistic the makeup looked (without giving away too much, I'll ask you to remember exactly how Freddy got his unique "look") and the subtle differences on the original look this new version offers. Is it a better look? Will people take the new face of Freddy to heart? I truly have no idea."
"The other aspect to the film that most people are wondering about is, obviously, any changes or additions to the plot. Since this IS Platinum Dunes, of course there is a Freddy backstory, but I'm actually on board with this one. Freddy is not some silent, faceless monster (okay, he's a little faceless). At one point he was a man, and he has an interesting story that I think will work as part of this film. One of the sets we glimpsed was Krueger's workshop, complete with a TV/VCR set up and loads of blank video cassettes (my mind wondering what kind of sick shit this guy watched, and then I spotted a copy of ORCA amid his collection--ew!). In addition to Freddy's background, we also get a little history concerning his child victims and their parents, which, again, I'm okay with, especially since past and the present are tied together in this film."
Do check out the whole piece here...
http://www.aintitcool.com/node/41777
I'm not entirely sure what to make of this. Freddy looking like Simon Weston? Or The Dark Knght's Two-Face? The character stuff is oddly more reminiscent of the Halloween remake (Mr B won't thank me for bringing that up AGAIN but it's a valid point) than Platinum Dunes' output. I did, however, like and own Platinum Dunes' Texas Chain Saw Massacre redux and plan to buy their Friday The 13th remake next month, cash permitting, to review here. It does make me feel really old though that all these films are being reinvented when I can still remember the last entries in the franchise like they were yesterday. Sigh. File under definitely both apprehensive and intrigued...
Monday, 20 July 2009
Rob Zombie's Halloween - DVD Review and further commentary
Hey guys, MM again. I don't want to dwell on this movie for too long but I made a promise to myself that I would review the features package on the DVD (picked up at a local supermarket for £5 by the way) and in the process of watching this a few more interesting points presented themself, whilst other things were clarified about the movie so I felt I would put down these thoughts along with some which were presented between myself and Mr B in text conversations about it last night.
The package available is mainly talking heads discussing this movie, and is actually pretty comprehensive, detailing quite well Rob Zombie's motivations to make it in the first place and what he was aiming for with the piece as a whole and in smaller moments, sometimes in places that weren't clear by watching the movie itself unfortunately. There is, for example a really cool and intriguing featurette discussing his use of changing camera styles in each act and why (handheld for childhood, locked, cold, and huge for the sanitarium, smooth with handheld intruding for the final act). The overall impression gained here though is of a conflicted, schizophrenic piece. Much is said about the desire to humanize the main villain, Zombie himself states that he thought it would be scarier to see a bit more of what was going on behind the mask (I disagree incidentally and don't think this is presented in the film, we merely get to see whats behind the boy before the mask, and even then not in any explanatory way, actions aren't explained, simply an attempt is made to justify horrors by outside influences then the psycho is merely an almost possessing evil alter ego not influenced by anything and with no motivations). Let me justify that last statement a bit. In the later acts the movie confusingly seems to be saying that any hint of the little boy we came to know is lost, consumed by blackness, evil, a monster etc (to bring things closer in line with the original movie perhaps as I believe this was inevitable, my opinion of course). The alternate ending confuses this matter further by seemingly massively inviting us to sympathise with Michael, who remembers cradling and protecting young Laurie, backs off and is gunned down, with extreme force, by the law (Night of the Living Dead style). The screen then shows the masked psychopath next to Dr Loomis but with an audio clip playing of the two talking when Myers was clearly a young boy with a personality outside evil blackness. I mention it because while I agree with the director that latter movies in this franchise utilised the iconography of Myers and all but ignored the character I can't help but feel that choosing an approach more succinctly (nature or nurture as another deleted scene hints, or being consumed by an evil abyss or driven to evil acts by society) would have made a better movie. That said I do still enjoy the bits and pieces of good we get as I've said, the movie actually grew on my quite a lot after digesting, I do wish to rewatch and hear the commentary in the future if time and my OCD will allow. I do feel a lot more respectful of Zombie as an auteur though after watching the man at work and do recognise his talent a fair bit (though I'm not rating him as legend or even one of my faves but the man clearly has a distinctive, and oddly enjoyable, surprisingly intelligent and classy, style)...
Let me digress a final time and add the culmination of an amusing text conversation here which I saved between Mr B and myself last night (reproduced here with kind permission), it went as follows:
MM: "OK. Cool. Sorry to piss u off, was not the intention. I could write more about this movie, kinda wanna rewatch. Definitely gonna watch the features, incl an alternate ending apparently, and sequel interests me now, love the kabuki mom visions :-)"
Mr B: "I am not pissed off lol. U gotta tell me what happens in that alternate end. Still find a sequel silly. He was shot in't the heed!"
MM: "I love how you care so much lol"
Mr B: "I know. Still baffled why I care. Perhaps I just think if they're going to remake a classic they coulda got an auteur rather than a nutteur. Still, again with the caring..."
That, folks, is why this site exists, in a nutshell, and why I absolutely love it!...
DVD: *** 3/5 (just like the featured film itself)
Questions? Comments? Bring 'em on.
Sunday, 19 July 2009
Halloween - More (and probably contrasting) Commentary
Note - these are my thoughts on the Halloween remake I watched with Marvel Man - his commentary is below. This is in no way a counterpoint review of the film; however, I did think I should share my thoughts as after some consideration I've had some surprising concerns about Rob Zombie's Halloween.
I would like to agree up to a point with what's below regarding the review. I did have much chagrin, as Marvel Man points out, as he repeatedly complained throughout the opener of how unneccessary it was and why were we sympathising with the murderer/psychopath?
For me, it almost seemed as though Mr Zombie was trying to turn Myers into a human being - far removed from the near-faceless masked creation (creature? caricature? monster?) in the original. Here, we saw a young, scared boy beaten, bullied and in a very broken family. We also see though the start of his serial killer tendencies. This is shown in the animal mutliations he enacts and the complete disregard for human life when he gets his revenge on a bully, which actually made me quote "that's a bit extreme". Whilst it's good to see a bully get what he has coming to him, the revenge Myers takes shows what's coming up very soon.
Whilst there was a bit of a relationship with Dr Loomis, it wasn't one that lasted. Myers quickly becomes introverted behind the mask and his eyes, which hide only 'blackness'. Ultimately, what was this meant to serve or show? Humanising the monster only to say, "no wait, he wasn't a vigilante or out to merely hurt those who he despised, he was just a monster". Why bother then in the first place with the exposition?
Pacing was certainly a problem in the film, with some things happening very quickly, whilst scenes seemed to add little and yet took a long time.
I'm still no fan at all of Rob Zombie I'm afraid (I'm no fan of his music either) - with the best example I can give are the 'torture-porn' sequences like the rape in the hospital. Overly graphic, a waste and shot in such a way that doesn't highlight rape for what it is. Similarly, he must have a female ass fixation, as this is how most of Myers' female victims ended up - turned away from him but with a naked backside on show.
I'm with MM that horror is best enjoyed in the dark - but this American schlocky-slasher at it's best - or worst. It's definitely popcorn horror. I'm baffled by the fact that there's a sequel (Myers gets shot five times in total I think it was, once definitely to the head) and frankly I'm baffled as to why this film was remade - money anyone?
Now that I've had more time to digest the film, I really do have quite mixed thoughts about it. As we don't do halves round here, I'm finding it hard to pin down between a 2 or a 3. It's a piece that has (and I rarely say this) troubled me a little. I'm still not sure who this is meant to be aimed at. I can only assume that there'll be plenty of American guys taking a date to the cinema, expecting something in the back row as said date looks away at the misogyny on display? Too strong? Not sure, but this film definitely, definitely left a bad taste in my mouth.
I would like to agree up to a point with what's below regarding the review. I did have much chagrin, as Marvel Man points out, as he repeatedly complained throughout the opener of how unneccessary it was and why were we sympathising with the murderer/psychopath?
For me, it almost seemed as though Mr Zombie was trying to turn Myers into a human being - far removed from the near-faceless masked creation (creature? caricature? monster?) in the original. Here, we saw a young, scared boy beaten, bullied and in a very broken family. We also see though the start of his serial killer tendencies. This is shown in the animal mutliations he enacts and the complete disregard for human life when he gets his revenge on a bully, which actually made me quote "that's a bit extreme". Whilst it's good to see a bully get what he has coming to him, the revenge Myers takes shows what's coming up very soon.
Whilst there was a bit of a relationship with Dr Loomis, it wasn't one that lasted. Myers quickly becomes introverted behind the mask and his eyes, which hide only 'blackness'. Ultimately, what was this meant to serve or show? Humanising the monster only to say, "no wait, he wasn't a vigilante or out to merely hurt those who he despised, he was just a monster". Why bother then in the first place with the exposition?
Pacing was certainly a problem in the film, with some things happening very quickly, whilst scenes seemed to add little and yet took a long time.
I'm still no fan at all of Rob Zombie I'm afraid (I'm no fan of his music either) - with the best example I can give are the 'torture-porn' sequences like the rape in the hospital. Overly graphic, a waste and shot in such a way that doesn't highlight rape for what it is. Similarly, he must have a female ass fixation, as this is how most of Myers' female victims ended up - turned away from him but with a naked backside on show.
I'm with MM that horror is best enjoyed in the dark - but this American schlocky-slasher at it's best - or worst. It's definitely popcorn horror. I'm baffled by the fact that there's a sequel (Myers gets shot five times in total I think it was, once definitely to the head) and frankly I'm baffled as to why this film was remade - money anyone?
Now that I've had more time to digest the film, I really do have quite mixed thoughts about it. As we don't do halves round here, I'm finding it hard to pin down between a 2 or a 3. It's a piece that has (and I rarely say this) troubled me a little. I'm still not sure who this is meant to be aimed at. I can only assume that there'll be plenty of American guys taking a date to the cinema, expecting something in the back row as said date looks away at the misogyny on display? Too strong? Not sure, but this film definitely, definitely left a bad taste in my mouth.
Labels:
Commetary,
Halloween 2,
michael myers,
rob zombie,
Slasher horror
Saturday, 18 July 2009
Rob Zombie's Halloween - Commentary
So... I watched this film with Mr B earlier this afternoon. It was a couple of friends hanging out having fun and as such was totally the wrong atmosphere and timing to be watching this (I prefer my horror at night with full attention tbh). Also I was less than enthused or expectant of greatness before putting in the disc. Was I won over? Well frankly no.
The first part of the movie is mostly drivel as Mr B will attest I stated, several times, much to his chagrin. I do like the characterisation of Myers' mother here and the creation of her in this world, everything else is completely wrong. Why make the villain character sympathetic or some kind of vigilante at first? The far better stuff comes later for the character, developing the relationship between Michael and his newly adopted "carer" Dr Loomis (a fairly reliable Malcolm McDowell). These two and their connection always intrigued me in Carpenters' series and it was nice to see more of this particular element. While we're on the subject of the good it was immensely cool watching Myers develop and descend whilst in the psychiatric hospital, the development of almost a dual persona and his fixation with masks, whilst not initially seeming necessary, actually coming off really well. These scenes also contain the best dialogue and delivery in the film.
The last section is essentially Zombie re-doing the original, no more, no less. However it is paced to ridiculousness (Mr B pointing this out along with Myers seeming superpowers of teleportation and Bruce Lee style epic speed kills, leading to "punch-stab!!!" becoming the quote of this particular day). Here its impossible to get a handle on any character bar Laurie, it also seems completely unnecessary and adds nothing new to the existing mythos or film.
The ending feels rushed and unsatisfying sadly. The little moments here and throughout this picture which are lifted from the first movie make you feel nostalgic for it and are nice, but remind you how seminal and great that flick was. This one really isn't.
As a whole not bad with real promise for a sequel as Zombie develops his own world here (as I've seen commented elsewhere). Some good acting mixes with some terrible, genre stalwarts appear for a cheer and a pay cheque, dialogue too is both good and bad, direction is visually stunning with some really nice flourishes and framing moments let down by set staging and writing sadly. The experience as a whole wasn't awful but comparable to eating a chocolate bar by one of those weight loss companies, fine but unsatisfying, unfulfilling and ultimately not a meal. Decent snack though...
*** 3/5
The first part of the movie is mostly drivel as Mr B will attest I stated, several times, much to his chagrin. I do like the characterisation of Myers' mother here and the creation of her in this world, everything else is completely wrong. Why make the villain character sympathetic or some kind of vigilante at first? The far better stuff comes later for the character, developing the relationship between Michael and his newly adopted "carer" Dr Loomis (a fairly reliable Malcolm McDowell). These two and their connection always intrigued me in Carpenters' series and it was nice to see more of this particular element. While we're on the subject of the good it was immensely cool watching Myers develop and descend whilst in the psychiatric hospital, the development of almost a dual persona and his fixation with masks, whilst not initially seeming necessary, actually coming off really well. These scenes also contain the best dialogue and delivery in the film.
The last section is essentially Zombie re-doing the original, no more, no less. However it is paced to ridiculousness (Mr B pointing this out along with Myers seeming superpowers of teleportation and Bruce Lee style epic speed kills, leading to "punch-stab!!!" becoming the quote of this particular day). Here its impossible to get a handle on any character bar Laurie, it also seems completely unnecessary and adds nothing new to the existing mythos or film.
The ending feels rushed and unsatisfying sadly. The little moments here and throughout this picture which are lifted from the first movie make you feel nostalgic for it and are nice, but remind you how seminal and great that flick was. This one really isn't.
As a whole not bad with real promise for a sequel as Zombie develops his own world here (as I've seen commented elsewhere). Some good acting mixes with some terrible, genre stalwarts appear for a cheer and a pay cheque, dialogue too is both good and bad, direction is visually stunning with some really nice flourishes and framing moments let down by set staging and writing sadly. The experience as a whole wasn't awful but comparable to eating a chocolate bar by one of those weight loss companies, fine but unsatisfying, unfulfilling and ultimately not a meal. Decent snack though...
*** 3/5
H2-Oh
Just about to watch the Halloween remake with Mr B. Thought I'd share the intriguing trailer for the sequel...
Monday, 13 July 2009
Exorcist: The Beginning - Commentary
I've mentioned in a previous post that I am a huge fan of The Exorcist. However, this regard I have for the hallmark horror film featuring possession doesn't stem to the many sequels and spin-offs, but it does stretch to the prequel.
For the record, this film had a very difficult birth. The 'prequel' idea was thrown around the studio and there are in fact two versions of the film - one directed by Renny Harlin (the film I am commenting on) and another, more thoughtful piece directed by Paul Schrader. Harlin's film came afterwards and was supported by the studio much more, with a wide variety of reasons being cited for this director-switch - including that Schrader's original cut didn't have enough shocks in it.
It's beyond the scope of my commentary to discuss both (primarily as I've only seen the Schrader film Dominion: Prequel to the Exorcist once during a very late night session), so I'm going to focus on Harlin's film.
I'm just going to say it, as it quite annoyed me at the time - this film is fantastically under-rated. Whilst it wasn't a big box office smash, this is a film that delivers on multiple levels, right from the very first sinister massacre sequence all the way through to the shock of possession - or rather the person possessed.
The story follows a much younger Father Merrin, who, in this prequel, meets his arch-nemesis from The Exorcist, Pazuzu. An archaeological dig takes place, revealing an incredibly old church, buried in the sands of the desert. After the church is opened, strange things begin to happen around the encampment, culminating in a war with a local African tribe and Merrin coming face to face with another possessed person.
Atmosphere is kept at a high point throughout the film, with Skarsgard putting in a terrific performance as the (at first) faithless priest, who has seen such horrors as to question his faith. Equally, Izabella Scorupco plays her part exceptionally well, as the tragic central character of the film.
Standout horror scenes for me were the moments of first entering the unholy church set up to contain the evil of Puzazu, the meeting with the insane asylum patient and the first moments of facing Puzazu in the church. Sinister just doesn't even begin to describe the atmosphere on offer here.
Ultimately, Exorcist: The Beginning doesn't quite live up to the promise, but given the 1973 original has such a following and reputation, then this is perhaps unsurprising. It's a quality production and goes some way to explaining the motivations of the older Merrin in the first film. A decent film and definitely worth a watch - just not on the same level as seeing Reagan spin her head around.
For the record, this film had a very difficult birth. The 'prequel' idea was thrown around the studio and there are in fact two versions of the film - one directed by Renny Harlin (the film I am commenting on) and another, more thoughtful piece directed by Paul Schrader. Harlin's film came afterwards and was supported by the studio much more, with a wide variety of reasons being cited for this director-switch - including that Schrader's original cut didn't have enough shocks in it.
It's beyond the scope of my commentary to discuss both (primarily as I've only seen the Schrader film Dominion: Prequel to the Exorcist once during a very late night session), so I'm going to focus on Harlin's film.
I'm just going to say it, as it quite annoyed me at the time - this film is fantastically under-rated. Whilst it wasn't a big box office smash, this is a film that delivers on multiple levels, right from the very first sinister massacre sequence all the way through to the shock of possession - or rather the person possessed.
The story follows a much younger Father Merrin, who, in this prequel, meets his arch-nemesis from The Exorcist, Pazuzu. An archaeological dig takes place, revealing an incredibly old church, buried in the sands of the desert. After the church is opened, strange things begin to happen around the encampment, culminating in a war with a local African tribe and Merrin coming face to face with another possessed person.
Atmosphere is kept at a high point throughout the film, with Skarsgard putting in a terrific performance as the (at first) faithless priest, who has seen such horrors as to question his faith. Equally, Izabella Scorupco plays her part exceptionally well, as the tragic central character of the film.
Standout horror scenes for me were the moments of first entering the unholy church set up to contain the evil of Puzazu, the meeting with the insane asylum patient and the first moments of facing Puzazu in the church. Sinister just doesn't even begin to describe the atmosphere on offer here.
Ultimately, Exorcist: The Beginning doesn't quite live up to the promise, but given the 1973 original has such a following and reputation, then this is perhaps unsurprising. It's a quality production and goes some way to explaining the motivations of the older Merrin in the first film. A decent film and definitely worth a watch - just not on the same level as seeing Reagan spin her head around.
Saturday, 11 July 2009
Torchwood: Children of Earth - Final Thoughts
SPOILER WARNING: I will be discussing events which occurred so it may not make sense until you've seen the episode and if it does it may blow something you would have preferred to experience first hand, which I recommend. Proceed at your own risk.
So, that was an epic long story. Fortunately it held up brilliantly, there was a danger of collapsing under its own weight and on days 2 and 3 it looked that way but the show as a whole more than pulled off this format change, in style actually. If the show does carry on it might be wise to attempt more of these as it was the best work that it has done in all 3 seasons.
The one thing I'm unsure about is the incredibly horrific parts and bleak darkness, from the aliens use of kids to Frobishers terrible last acts or Jacks murdering his own grandson, describing back the events really doesn't do justice to how horrifying they come across, but the thing is they make damned good drama and do make you feel something so perhaps they were actually too effective!?.
Regarding Jacks decision at the end I was truly upset by it, I think for the reason that this man is irredeemable now as the Dr Who sidekick, travelling hero who simply uses more violent methods and a gun, it is impossible to imagine the Doctor doing something like this in one of his stories for example so its a shame the writers did it to Jack. A nice compromise might have been to have Stephen inherit his grandfather's "Lazarus qualities", an idea which normally I would complain about but was longing for here. As I said before love how it was left though with Jack essentially becoming the Doctor just after the Time War, traumatised and running away.
A lot of people have asked me if this was the last episode and I have to say whilst I really hope not I do think its probably the case, it makes an absolutely cracking final moment for the show and it does seem like Russell T is drawing a line in the sand under these projects now.
Direction, acting etc were all superb and the plot much better than I'd expected with some real horror elements done brilliantly and the best, most menacing villains yet seen in both the 456 and their government "accomplices". A sterling work all round, if you didn't see it I truly do advise picking up the DVD on Mon. In the meantime I'd be really interested to know everyone else's thoughts on the series, please feel free to comment below, I'll probably even respond. Thanks for sticking with it all week and stay tuned for more reviews.
"Haven't travelled far enough yet, got a lot of dirt to shake off my shoes."
:-) ("No don't do that I hate smileys")
Marvel Man Mike
Friday, 10 July 2009
Review: Torchwood
Children of Earth, Day 5
SPOILER WARNING: I will be discussing events which occurred so it may not make sense until you've seen the episode and if it does it may blow something you would have preferred to experience first hand, which I recommend. Proceed at your own risk.
Oh My Gosh. Complex, thought provoking, heart breaking, and gut wrenching. A great conclusion to an excellent mini series.
The Good:
- I want to discuss Jacks final decision in the overview tomorrow, suffice to say it was damned affecting and, like it or not, bloody good drama!
- Frobisher and his family's final fate was absolutely bleak (as a lot of this finale was) but totally captivating, at parts the show was too intense, I genuinely found it hard to watch, I'm not sure I could ever view this scene again, horror excellence with no monsters in sight.
- Euros Lyn deserves an award, look at little touches like Lois' eye shot through the cell or the close up of the contact lenses new wearer. Excellence.
- Is this the end of the whole show as a project? Certainly seemed that way, if so a fitting send off, with nice references to past members who have been lost right up to the pilot.
- Jack's new life is an absolutely blinding ending, I don't know if we'll see him again, or should, but I know he does have to wander the cosmos now, there was no other way to validate that character.
- Every conclusion was well executed, plotted and played.
- If sci-fi got BAFTA's this deserves one.
The Not So Good
- If I'm nitpicking the method of defeating the aliens was a bit rushed and convenient but that was unavoidable and was more about the personal cost anyhow.
- As I say, not sure about the darkness and that last choice, have to have some time to let it settle in. When I do the stars rating may have to be reevaluated, its on the cusp.
Apologies for the delay on my promise but I will post a series overview tomorrow when I can devote the time I'd like to it, and it deserves. Until then I leave you with my favourite explanatory, moving quote and the final scores. Phew! It seems like a long week...
"There's one thing I wish I had asked Jack back in the day. I wanted to ask him about this Doctor of his, who swoops in from nowhere and saves the world. Except sometimes he doesn't. I wanted to ask him why? Now I don't need to ask, now I know the answer, sometimes the Doctor must look at this planet and turn away in shame."
Day 5: **** 4/5
Whole show: ***** 5/5
Horror TV Preview?
The official BBC website for Doctor Who over at www.bbc.co.uk/doctor who has its first previews of the next special up now. The hour long episode entitled "The Waters of Mars" will air, as they say, "later in the year", but don't be surprised if it's near halloween as it looks like they too are going down the sci-fi horror route...
http://www.bbc.co.uk/doctorwho/s4/episodes/s0_07/
Thursday, 9 July 2009
Review: Torchwood
Children of Earth, Day 4
SPOILER WARNING: I will be discussing events which occured so it may not make sense until you've seen the episode and if it does it may blow something you would have preferred to experience first hand, which I recommend. Proceed at your own risk.
Yes! Wow, wow, wow. This is what I had been waiting for, a roller coaster of excellence. Too much greatness. Can't recommend it enough.
The Good:
- Nice that Jack had a kind of twisted nobility in his original actions if a bit easy and taking away some darkness, that can be a good thing though.
- I cant single out anyone because literally every actor was great in every scene, Lois stepped up to her purpose briliantly, Ianto's death scene was heartbreaking recalling Owen and Tosh last year and there was uniform excellence, even in the smallest parts (JOhnson and Alice's interplay for example or Nick Brigg's slimy government spin doctor).
- Euros Lyn's direction, still great as it should go without saying by now, I especially noticed the composition of faces in the frame today, kudos.
- The intensely terrifying scene inside the "gas" chamber was sooo unbelievably good, better than ninety per cent of sci-fi horrors, the final hideous reveal of one of the children and what has been done to them was captivatingly horrifying.
- Such a relief to see the team getting their shining hero moments, which made it all the more brilliantly, fantastically shocking when it emerged how futile there efforts were and everything fell spectacularly apart.
- The scenes with the government were greatly acted and shot but more than that were incredibly intelligent and thought provoking, mining the ultimate true horror from our dull, real lives. How many other places would you see tackled issues like fascism, overpopulation, public fear and propaganda, and the terrifying potential natural decline of our world and its resources. Puts the alien into perspective.
- I strongly do suggest that everyone watch this , I can't support it enough.
The Not So Good
- Noooooo!!! Ianto's dead! They can't have seriously kiled off another regular? The stones on these guys. I am too much in shock to comment further.
- That's IT!!!
I could be here for hours singing this parts praises but all I want to say is that it was definitely worth the wait, I am more eagerly awaiting the finale than ever and I will weigh in with my thoughts on that and the series as a whole tomorrow. Until then join me in a silence for the late Ianto Jones and the tolling of bells ringing towards the collapse of civilization and the end of the world...
"On the fifth day we will be at war."
***** 5/5
SPOILER WARNING: I will be discussing events which occured so it may not make sense until you've seen the episode and if it does it may blow something you would have preferred to experience first hand, which I recommend. Proceed at your own risk.
Yes! Wow, wow, wow. This is what I had been waiting for, a roller coaster of excellence. Too much greatness. Can't recommend it enough.
The Good:
- Nice that Jack had a kind of twisted nobility in his original actions if a bit easy and taking away some darkness, that can be a good thing though.
- I cant single out anyone because literally every actor was great in every scene, Lois stepped up to her purpose briliantly, Ianto's death scene was heartbreaking recalling Owen and Tosh last year and there was uniform excellence, even in the smallest parts (JOhnson and Alice's interplay for example or Nick Brigg's slimy government spin doctor).
- Euros Lyn's direction, still great as it should go without saying by now, I especially noticed the composition of faces in the frame today, kudos.
- The intensely terrifying scene inside the "gas" chamber was sooo unbelievably good, better than ninety per cent of sci-fi horrors, the final hideous reveal of one of the children and what has been done to them was captivatingly horrifying.
- Such a relief to see the team getting their shining hero moments, which made it all the more brilliantly, fantastically shocking when it emerged how futile there efforts were and everything fell spectacularly apart.
- The scenes with the government were greatly acted and shot but more than that were incredibly intelligent and thought provoking, mining the ultimate true horror from our dull, real lives. How many other places would you see tackled issues like fascism, overpopulation, public fear and propaganda, and the terrifying potential natural decline of our world and its resources. Puts the alien into perspective.
- I strongly do suggest that everyone watch this , I can't support it enough.
The Not So Good
- Noooooo!!! Ianto's dead! They can't have seriously kiled off another regular? The stones on these guys. I am too much in shock to comment further.
- That's IT!!!
I could be here for hours singing this parts praises but all I want to say is that it was definitely worth the wait, I am more eagerly awaiting the finale than ever and I will weigh in with my thoughts on that and the series as a whole tomorrow. Until then join me in a silence for the late Ianto Jones and the tolling of bells ringing towards the collapse of civilization and the end of the world...
"On the fifth day we will be at war."
***** 5/5
REC - One Line Review
Amazing zombie horror from a first person point of view with a tasty Spanish protagonist and a tall zombie wearing a nappy (daiper).
Pandorum - Thoughts
There's a trailer doing the rounds at the moment for a new film entitled Pandorum. I don't know much about it beyond the fact that it's being sold as a sci-fi horror (what the hell is it with this blog, it's the only type of horror I seem to be talking about here - and no, I'm not a huge fan of this sub-genre).
Dennis Quaid is in it, so that makes it top notch. So far, we've seen little of the aliens/monsters/creepy things but it looks as though they're some sort of humanoid mutant creations. There's also a line about "we're turning into them" - so is it going to be 'science fear' or 'fear of evolution' or some other tripe? Only time will tell...
Let me reiterate though - Dennis Quaid is in it.
Dennis Quaid is in it, so that makes it top notch. So far, we've seen little of the aliens/monsters/creepy things but it looks as though they're some sort of humanoid mutant creations. There's also a line about "we're turning into them" - so is it going to be 'science fear' or 'fear of evolution' or some other tripe? Only time will tell...
Let me reiterate though - Dennis Quaid is in it.
Wednesday, 8 July 2009
Review: Torchwood
Children of Earth, Day 3
SPOILER WARNING: I will be discussing the events which occured so it may not make sense until you've seen the episode and if it does it may blow something you would have preferred to experience first hand, which I recommend. Proceed at your own risk.
Hmmm. Was expecting a really big kick off, especially as this episode was written by 2 of my favourite writers, one of whom has horror pedigree (which kind of showed) having written the movie "Severance" and a creepy horror-like episode of Primeval. What we got was still quite contemplative but essentially boiled down to one ace scene that stood out among the others,...
The Good:
- The scene in question being right after the 456's initial arrival and Frobisher's first encounter with them, an absolute master class in tension and building it from what is NOT seen, entirely compelling and rather scary.
- Capaldi absolutely shines in this scene, showing the value of an actor at the top of his profession, in a scene which could have been potentially cheesy and ridiculous he is one hundred and ten per cent believable and mesmerising.
- Euros Lyn's direction, still great but didn't notice anything extravagant, so arguably doing the job even better.
- Love the reveal of Jack's involvement in everything, whilst not exactly astoundingly shocking it is a nice return to the darker, more complex character of episodes like "Small Worlds" (which this storyline seems to owe a debt too).
- O.k, it was slightly cool seeing the gang reunite and that moment of Jack striding back out in the coat.
- Nice bit of morality and great interplay between Jack and Frobisher in the scene on the mobile, "you're a better man than me" could turn out to be vitally important words.
- Black ops team still cool but we still need some more investment, it worked wonders that we found out the little bit about Alice from them and I really want to know more about who Johnson is and why she's doing these things.
- Some slight nice reveals about the past but we still need more of the 456's intentions, two eps to go...
The Not So Good
- I can't emphasise enough how furious I am that the best and cleverest way the writers could find of getting the team rebuilt was to have them do BAD things and become the "Hustle" crowd, especially in light of the conversation later, which I referenced above re Jack being a good man, too many innocents are suffering throughout these events in random, crap ways.
- Lois is still waaay too unbelievable and convenient. Needs to be better plotted perhaps but honestly nobody realistic would be so brave with no real reason or visible connection to the people she's helping
- It's a shame that when the alien creature did appear in glimpses it looked like a 70's era Dr Who prosthetic, as I feared. With writing itself up like this show has been doing it needs a better effects budget, its all the more annoying because I know it can do it, both this show and Who have done in the past!
- Bit of a let down cliffhanger again, I'm waiting to be as impressed as I was at the start of this piece.
- The show is in danger of losing its USP by rooting action so far out of Cardiff then travelling up and down there (somehow avoiding any security, talk about lax) as if it was up the street.
Still lots of build up but I'm getting increasingly annoyed and losing interest, the last pieces of the puzzle will have to be spectacular to deliver on all this foreshadowing. A creepy villainous concept though with the child stealing, truly nightmarish and presented well again, the acting of all is keeping me involved but some more than others. It was also a wise decision to show less of the menacing alien and it's gross, ominous splutters and deep language were pretty cool, I hope we'll still see the badass though. The first 3 stars are for masterful technical direction of the villain moments and well written bad guy sequences and dialogue. And if you're keeping score Capaldi earns the 4th star single handedly (I would otherwise have docked it for the "Hustle" behaviour).
**** 4/5
Tuesday, 7 July 2009
Review: Torchwood
Children of Earth, Day 2
SPOILER WARNING: I will be discussing the events which occured so it may not make sense until you've seen the episode and if it does it may blow something you would have preferred to experience first hand, which I recommend. Proceed at your own risk.
Some interesting building of stakes, but an exercise in regrouping and perhaps treading water a bit, still it increases all the dynamics so can't be all bad, and it was wonderfully action packed and has some truly precious personal moments and little scenes between people. Still no bloody answers though...
The Good:
- No shortage of top notch energy and action, the story seemed to slow down but the characters remained as kinetic as before.
- Maybe its just because I'm a fan who has been there from the beginning but you really do root for this team, and get some real punch-the-air moments when they come through.
- Euros Lyn's direction is noticeably bold and a thing of beauty to watch.
- Gwen is always good value at centre stage, Eve again didn't let the audience down and she and Kai make a really watchable couple.
- Lois was nice and seemed a perfectly pleasant new potential team member after the red herring of yesterday, I just hope she grows into more than a conveniently deus-ex-machina amalgam of her job skills.
- Still a bit creepy with the "Midwich cuckoos" thing, but getting old fast, we need the reveal tomorrow that we're promised, much better was the horror film worthy scene of Jacks tortuous journey through being a collection of incinerated parts to being a screaming, agonised cinder of a torso.
- Some very, very, very slight cheese but some cracking dialogue too, though most of it from Johnson oddly.
- Even Ianto's annoying family had a plot function after all, and quite a cool one actually, metaphorically being the power of people against the state, Robert Lindsay would be proud.
The Not So Good
- Some great flourishes of personality but still a touch of the unnecessary funny, can veer too far if not reigned back a touch.
- The governments action and role as the bad guy is undeniably cool but it's hard to get invested without knowing exactly why they are behaving this way, and who they all are and what their link is to the (worryingly still absent) extraterrestrial threat.
- Lois was just too convenient as a friend on the inside with all the right access, knowledege etc, symptomatic of a few too many logic and security flaws (Ianto turning up to the bomb site, not shooting on sight, keeping Jack in one place to knit together, the list goes on). I would argue the same of the handily timed Ianto escape plan but it was so unexpected and ace that it was forgivable.
- Bit of a let down cliffhanger this time too.
- The nice moments with these guys are when they make mistakes, stumble and generally demonstrate that they could be us, they are getting a bit too skilled, turning them into super-capable gun toting John Woo rejects is to be avoided, if you need a capable good guy Jack is forgivable, he's got invincibility and hundreds of years of knowledge to back it up.
Interesting build up with some great scenes but a less than stellar whole, we can take away the righteous anger the good guys will have against the bad, and not much else, but I still can't wait until the next installment, I really hope the 456 are in some way badass.
*** 3/5
Monday, 6 July 2009
Review: Torchwood
Children of Earth, Day 1
SPOILER WARNING: I will be discussing the events which occured so it may not make sense until you've seen the episode and if it does it may blow something you would have preferred to experience first hand, which I recommend. Proceed at your own risk.
Wow!!! I've rarely been this impressed after the first part of any series, the show has visibly stepped up a notch in quality as its gone up to the top channel.
Where to start? Let's break it down:
The Good:
- Started really well, straight into the story and intrigue, whilst it was quite obvious from the start that the alien threat is clearly going to be the human children we see taken in the 60's. I suspect that we're supposed to be on the ball with that though and have the bigger questions to ask, like who was taking them? why? what presence is it represented in the light? What's up with Clem and why? I really am excited to find this out.
- The fact that the story, in the hands of a really talented writer, actually took the time to slow down and build, without seeming like dragging anything even slighly out. This seemed to be reallyt letting us know people better, or get to know new folks, giving us a chance for some of the best domestic scenes. For example I'd heard great things about the scene between Jack and Alice as she discusses hating him for being her father but not aging and watching her die, I feared it would be too science-fiction-y and unrelatable but as a scene it really worked, not least as Jack had to again demonstrate his increasing detachment from humanity and have his own kin tell him what a dangerous man he's become (a bit of foreshadowing perhaps?). Gwen's stuff was, as in previous years, brilliant but kept to a reasonable minimum since she is the one whose home life we know most about, it was really nice to see Rhys get a little moment to shine thuough
- The government and its connection to events, culminating in the reveal of the really supremely cool-looking black ops agency (led by the talented and immensely fanciable Liz May Brice) were an excellent plot, that seems to be ticking away nicely. I suspect we will learn more of their link to past events and the current crisis and who the secret team are. I fear we've seen all we will of Mr Frobisher revealed but his part still shines under the potential of a truly top rate actor (seriously just watch Peter Capaldi in that final scene).
- The big ending was one of the earliest things you could piece together from spoilers but still got my pulse pounding, and served to really highlight the team dynamics in a simple 2 words from Jack to Gwen delivered pitch perfectly ("You're pregnant!"), and the most heartfelt, desperate kiss between Jack and Ianto. The big story was top notch but these little moments were the cherry on the sundae. And how brave to have Jack become, ultimately, a suicide bomber, at the hands of the government.
- Having the balls to set up a new cast member and team replacement only to have him revealed as deep in the conspiracy and shoot one of the main stars in a true WTF moment!? Awesome.
The Not So Good
- As it's Russell T Davies there's usually always one bit of misjudged domesticity and comedy which doesn't fit with the rest of events and jars, and sure enough here we had Ianto's "hick" family and the SUV being stolen from a rough estate. Social comment or writing a scene too far? I fear the latter.
None the less I truly, genuinely loved this. Great acting across the board, some nice references to Doctor Who and Torchwood past but a seeming respect for new viewers too (and I recommend checking it out), seriously affecting emotional dialogue and performances (bar the aforementioned misjudged scene), some real directorial flourishes, an A+ script, and a tantalising and thrilling central mystery and threat, both creepy and astounding, all equals me on tenterhooks for tomorrow night!!!
***** 5/5
Horror TV review: Being Human
MM here, how you all doing? good? great. I watched this show a while back when it first aired and tried my best to plug it to Mr B but he was put off by the concept, thinking it would be some potentially bad sitcom (in fairness it was marketed as a comedy, wrongly so in my opinion). He recently caught an episode in passing and relented his previous view, sadly now with the scathing criticism that the british make horror characters too introspective and "emo", like bad 4th year art students (his words). Ouch. Well sir I'm afraid the clue was in the title, this is a show not about coming to terms with enjoying supernatural abilities but actually using them to examine very human flaws, mining them for drama that seems much more watchable. Indulge me if you will as I take each character individually:
Mitchell (the vampire)
The least original of the group with a legacy stretching from Anne Rice and Buffy the Vampire Slayer to more modern takes still such as Twilight or the crop of US vampire shows that currently dominate teen networks (NOT a british construct). His condition, as is often the case, is a metaphor for addiction, it could represent an alcoholic falling off the wagon, a sex addict who finds his lust consuming his life, a deviant who wants to be "normal", or someone with a dark side that they fear will consume them if they like it too much. His arc is the most US TV-like, and his kind are the main protagonists (the least interesting characters and plot for the most part sadly, with leader Henrick woefully miscast after the pilot). Gets the stand out moment of the series in episode 4 though which I shan't spoil...
George (the werewolf)
In some ways a relatable character, he suffered a violent incident and didn't die but now lives traumatised by it, even being bullied as a lesser monster by the vampires of this world (coming to a head brilliantly in the season finale). His condition is used variously to represent social ostracising, uncontrollable sexual deviance and problems, a violent temper, or a curse of life which makes it generally difficult to fit in, talk to girls etc. Unsurprisingly he is an intelligent, spectacle wearing geek. His arc is the most confused but picks up immensely when a girl enters his life and as he becomes the lone human watching the world become more crazy around him, until its fate rests on his scared shoulders...
Annie (the ghost)
Both the most likable, relatable character and the one with the weakest plot. A clear metaphor for spousal abuse, the big reveal of her murderer is obvious from BEFORE the start. Much better is her being a representation of anyone bullied or beaten down to the point of (literally) becoming invisible, with no real voice, and even developing OCD (she makes endless cups of tea that she can't drink). The actress here is also great, as are the other 2 leads so even with a completely lame plot line she makes you feel for her and genuinely care, especially as she gains her feminine power at series close, boding well for next season.
The overall story isn't as interesting as the little moments but they really do shine and we close on some fantastic last minute reveals which brilliantly set up the second series, I'll definitely be watching.
Overall show: **** 4/5
See you all tonight for Torchwood, TTFN.
MM
Mitchell (the vampire)
The least original of the group with a legacy stretching from Anne Rice and Buffy the Vampire Slayer to more modern takes still such as Twilight or the crop of US vampire shows that currently dominate teen networks (NOT a british construct). His condition, as is often the case, is a metaphor for addiction, it could represent an alcoholic falling off the wagon, a sex addict who finds his lust consuming his life, a deviant who wants to be "normal", or someone with a dark side that they fear will consume them if they like it too much. His arc is the most US TV-like, and his kind are the main protagonists (the least interesting characters and plot for the most part sadly, with leader Henrick woefully miscast after the pilot). Gets the stand out moment of the series in episode 4 though which I shan't spoil...
George (the werewolf)
In some ways a relatable character, he suffered a violent incident and didn't die but now lives traumatised by it, even being bullied as a lesser monster by the vampires of this world (coming to a head brilliantly in the season finale). His condition is used variously to represent social ostracising, uncontrollable sexual deviance and problems, a violent temper, or a curse of life which makes it generally difficult to fit in, talk to girls etc. Unsurprisingly he is an intelligent, spectacle wearing geek. His arc is the most confused but picks up immensely when a girl enters his life and as he becomes the lone human watching the world become more crazy around him, until its fate rests on his scared shoulders...
Annie (the ghost)
Both the most likable, relatable character and the one with the weakest plot. A clear metaphor for spousal abuse, the big reveal of her murderer is obvious from BEFORE the start. Much better is her being a representation of anyone bullied or beaten down to the point of (literally) becoming invisible, with no real voice, and even developing OCD (she makes endless cups of tea that she can't drink). The actress here is also great, as are the other 2 leads so even with a completely lame plot line she makes you feel for her and genuinely care, especially as she gains her feminine power at series close, boding well for next season.
The overall story isn't as interesting as the little moments but they really do shine and we close on some fantastic last minute reveals which brilliantly set up the second series, I'll definitely be watching.
Overall show: **** 4/5
Episode by Episode:
1. *** 3/5. Nice set up of the characters states in flashback, some slight poor casting but a great bit in Lauren who keeps the early season afloat, more intriguing as set up than stand alone though.
2. ** 2/5 Werewolf who "created" George arrives, cue predictable tired tension, bastard nature and a bad actor playing a poor role, keeps 2 stars by virtue of the continuing arc of the other 2 main protagonists.
3. *** 3/5 Mitchell's tale becomes more intriguing and emotional and George meets someone important.
4. ***** 5/5 The best piece of british drama I have ever seen. Fact.
5. *** 3/5 Inevitable downhill slide from last week but things tick along nicely, we say a sort of goodbye to all the important romantic entanglements of all 3 characters and there is a real sense of ticking towards armageddon, though this is a tad too "Buffy-esque"
6. **** 4/5 Decent end but a relief that one arc is over, gains more points for setting up what seems like much better ones next year...
1. *** 3/5. Nice set up of the characters states in flashback, some slight poor casting but a great bit in Lauren who keeps the early season afloat, more intriguing as set up than stand alone though.
2. ** 2/5 Werewolf who "created" George arrives, cue predictable tired tension, bastard nature and a bad actor playing a poor role, keeps 2 stars by virtue of the continuing arc of the other 2 main protagonists.
3. *** 3/5 Mitchell's tale becomes more intriguing and emotional and George meets someone important.
4. ***** 5/5 The best piece of british drama I have ever seen. Fact.
5. *** 3/5 Inevitable downhill slide from last week but things tick along nicely, we say a sort of goodbye to all the important romantic entanglements of all 3 characters and there is a real sense of ticking towards armageddon, though this is a tad too "Buffy-esque"
6. **** 4/5 Decent end but a relief that one arc is over, gains more points for setting up what seems like much better ones next year...
All images are copyright of the BBC. I heartily recommend their official website of the show which has some real treats for fans, and can be accessed here...
See you all tonight for Torchwood, TTFN.
MM
Sunday, 5 July 2009
Reviewed from tomorrow
Hopefully... and hopefully it will be a great little mini series. I hear there are some slight horror movie moments and a potentially great sci-fi/horror villain, being kept under wraps by an unusually seceretive beeb. The trailer certainly looks very "Village of the Damned". In any case I'm well hyped, the first 2 full series of the show were hit and miss but they could do creepy and explosive well, fingers crossed for it, BBC1, all next week at 9pm...
Predators get a director
Harry Knowles at AICN has now officially revealed that the director of the upcoming Robert Rodriguez produced "Predators" movie will be horror film alumni Nimrod Antal. Whilst I've not seen any of his handful of movies I hear Kontroll is great and am intrigued by the movie Vacancy (especially as it can be picked up for as little as £6). Rodriguez promises that the title is key as this movie will do for the predator what Aliens did for xenomorphs, more of them, more brutal, and warring one assumes. He also tantalisingly revealed that his new script WILL be set on the titular aliens' homeworld. Read the full, and very interesting Q+A between Knowles and old pal Rodriguez here...
Argento Goes Upmarket With Giallo
Dario Argento's upcoming theatrical release, Giallo, looks to be something rather special. The movie stars Adrien Brody and the plot concerns a maniac taxi driver who kills young women (so far, so typically Giallo.
Watch the trailer for Giallo over at Bloody Disgusting.com.
Watch the trailer for Giallo over at Bloody Disgusting.com.
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